Our Premier Record of the Year: The Artist's Lux Secures the Premier Place.
At first glance, this work could seem more like a difficult academic examination rather than the latest popular music project by a musician who just had a previous single was a collaboration with an international K-pop icon. Split across four different parts and sung in 13 languages, it is a dizzying orchestral-influenced opus exploring female mystery, spiritual ascent, and corporal transformation, often through the lens of different women saints. The end of a relationship—a theme handled with raw honesty elsewhere—is shot skyward here, buoyed by the lush presence of a major orchestra and contributions from a Pulitzer-winning composer within an extensive roll call of collaborators. Its sheer daring by itself makes the work of other artists appear quite modest.
Transcending Academic Exercise
The fact that Lux manages to escape overly academic posturing feels almost miraculous, and sole praise belonging to the artist. While it's not her first project to blend historical sounds with modern styles, its ambitions feel far greater here, and the balancing act more dramatic. What truly raises her fourth album, outside of its complex melodies, dense arrangements, and inherent theatricality, proves to be an essential sense of playfulness. Similar to the iconic artist at her height, there is a captivating sense to RosalĂa's voice that pulls you into its tornado. Even when she's tearing your heart in two, you nevertheless desire to be right there for the ride.
A Prime Example of Exuberance
This exuberant spirit comes forth clearly on a stirring piano-led ballad about Saint Clare. It bathes in a sorrowful melancholy for several moments. Then, all the music drops silent, to reveal there's a spontaneous giggle and a comment prior to a comically exaggerated orchestral crescendo crashes down like comedic impact. The track then segues into the wild single driven by racing orchestration, an imposing choral group, and a cameo role from none other than Björk.
"The magic of this album is that the listener never quite understand—or even want to predict—what you will go next."
Nearly each song concludes in a completely distinct place from where it started. A track examines the fleeting nature of celebrity over a delicate symphony only to disintegrating into digital cacophony. Elsewhere, a song echoing her earlier rhythmic work starts off dark and brooding, with prowling vocals, before sudden traditional rhythms and an angelic chorus arrive to smooth its rough edges.
The Bridge Between Experiment and Accessibility
A key achievement on Lux is navigating the gap of bold experimentation and broad appeal. This is no surprise that it has become her first release to break into the upper reaches of major markets: at its core a collection of utterly catchy hits. A song sung entirely in English builds on a refrain that feels to gather more and more nagging melodies while it spirals skyward. This feat gets repeated on another powerful ballad that grows and constricts, intertwining multiple melodies like an intricate tapestry.
- A dance-infused number charms via its jaunty, Disney-adjacent flair and an anthemic chorus.
- Lyrically, it shares with pop culture impact of other breakup anthems, lambasting a former lover described as an "emotional terrorist".
- Across the album, the singing carry a sharp edge, like a storybook character hiding a blade: "Top prize in being a scoundrel / You have won the trophy of letdown."
An Opulent Feast for the Soul
This album is popular music on a grand level, a hungry reach for high Art in an era of looming artificial blankness. It rejects self-absorption for sublime transcendence, crafting an over-the-top drama that masterfully manages its own inherent excess. It is an abundant well of hidden treasure that requires time to completely explore but doesn't seem like hard work. Where some big releases of 2025 seemed like a meager scraps, Lux is a lavish feast where the guests at it, some intoxicated on holy drink, flit from discussions about historical saints, the profound sensation of heartbreaking grief, and common stories about hopeless men. It is a modern-day musical from pop's most endlessly inventive practitioner.